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Alice Brooks: I was a mentor to a high school student who became a wonderful cinematographer Seth Emmons, director of communications at Leitz, moderated the mentoring panel at the Manaki Cinema today, which was attended by cinematographers Fabian Wagner, Agnieszka Szeliga, Alice Brooks and Teresa Medina. Wagner noted that he had mentored young people many times before, for […]

Kardalevski: The situation with the Macedonian film is probably the most difficult ever Yoshio Kitagawa, a Japanese cinematographer, whose film „Evil Does Not Exist“ was screened on „Manaki Brothers“ yesterday within the Official Camera 300 selection, spoke at today`s press conference about his experiences with director Ryusuke Hamaguchi, with whom he had already filmed „Happy Hour3. Kitagawa noted

The Powerful Women of „Manaki“: I was raised by a single mother who taught me not to give up on my dreams “Whenever we talk about female cinematographers or directors, we can’t avoid the question of motherhood, as well as how we as women manage to take care of the home, the family. But where are the

Pablo Lozano and Dušan Husár on „Manaki Brothers“: Miracles can happen anywhere Pablo Lozano and Dušan Husár, are the cinematographers of the films „Chronicles of a Wandering Saint“ from the official selection Camera 300 and „Solitude“, which was screened last night in the European Lo-Cap program. In one Argentinian town, a pious but ambitious woman, realizes that if

Mitja Ličen: I loved strong colors, the Alexa 35 camera was a big hit on the set of „Family Therapy“   Mitja Ličen, director of photography from Slovenia, spoke today at a panel titled „From Tribeca to Manaki, behind the scenes of „Family Therapy“, filmed with ALEXA 35“ at the Manaki cinema in Bitola. Together with Chiara

Young cinematographers delighted with their closeness to colleagues: Last night while we were having dinner, Dante Spinotti sat down behind me and said, „Bon appetite“ At today`s press conference within the framework of the annual edition of the ICFF „Manaki Brothers“, the audience listened to cinematographers Mitja Lichen, Gergő Somogyvári, Sergej Sarchevski and Grimm Vandekerckhove.“The film is

bruno delbonnel: When I worked on „Ameli“ I wasn`t thinking that I`m doing something extraordinary   “When we were filming ‘Ameli’, at that time I wasn`t thinking that I am doing anything special, I didn`t have that kind of feeling. I wasn`t guided by the though ‘Now I am doing something extraordinary’. However, I was happy when we

panel „leitz“: The cinematographer`s connection to the lenses is special The relationship between the cinematographers and the lenses is special and intimate and it should be developed. In the process of making a film, we are always looking for greater sharpness and definition, and in that process, lenses are very important. This was the conclusion of the

Jolanta Dylewska: I keep thinking about how different cinematic art would have been if a woman had been involved in its creation from the very beginning The focus on the face is very important in the career of Jolanta Dylewska, this year`s winner of the Special Camera 300 Award for Outstanding Contribution to Filmmaking. The film

Wlodarczyk: "Zone of Interest" is filmed in natural light, with 10 SONY Venice cameras   Being a digital imaging technician (DIT) is a unique experience. Working on all preparations before shooting the film is difficult, but impressive. I would do the same all over again, but I`m sure it won`t be as challenging and fascinating at the